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Cartoon Movie 2011: „Boom der europäischen Animation“

Die Presse­mit­teilung von Cartoon Movie im Wortlaut:

THE BOOM OF EUROPEAN ANIMATION AT CARTOON MOVIE 2011

  • Creativity, diversity and quality fuel growth in European animation
  • New trend: animated films targeting young-adult and adult audiences
  • France ratifies its European hegemony

Cartoon Movie drew to a close in Lyon, France on 4 March, where a record number of 700 producers, distri­butors, buyers and investors from 35 countries came together to raise the necessary financing, set up co-produc­tions and develop inter­na­tional sales of animated feature films. With a 15% atten­dance increase since last year, and a 40% increase in 3 years, this co-production forum has become the essential event for animation profes­sionals.

Despite the economic turmoil and advent of new techno­logies, the European animated film sector has streng­thened its reputation and reached a new stage of growth. The evolution of the industry over the past few years could be seen in the 56 projects pitched during these two intense days. Films targeting young-adult and adult audiences stood out at this annual meeting, repre­senting 30% of the projects and dealing with topics such as Alzheimer, adoption, war on one hand, and art, sci-fi and black comedy on the other hand. The films also revealed a great variety of genres, graphic styles and techniques (2D, stereo­scopic 2D, 3D…).

The most popular films this year were "1884: Yesterday’s Future" (with Terry Gilliam on board as consulting producer), Patrice Leconte’s animation debut "The Suicide Shop" and Alain Gagnol and Jean-Loup Felicioli’s new project, "Phantom Boy". Other films also received an excellent reception, including "Ronal The Barbarian" from Denmark; "Ana" from Spain; "Majorettes!" from Belgium; and "Mutafukaz", "The Strange Case of Dad’s Missing Head", and "The Picture".

The sector was quick to adapt to the economic situation by developing projects with medium-range budgets (an average of 5 to 7 million euros each), the bulk of which can be grossed in native countries. In terms of technology, stereo­scopic 3D produc­tions continue to gain ground (20% of the projects pitched), unders­coring European producers‘ attempts to adapt to audience demands.

FRANCE REMAINS IN THE DRIVING SEAT

France is still the indis­pu­table leader of animated films in Europe. Not only did it pitch the most projects (42%), it also won each category of the Cartoon Tributes, the animation awards voted by sector profes­sionals. France’s Pierre Coffin ("Despi­cable Me") won Director of the Year while STUDIOCANAL won Distri­butor of the Year and France 3 Cinéma Producer of the Year.

The strength of French animation received an added boost when Eric Garandeau, President of the CNC (Centre national du cinéma et de l’image animée) announced increased support for stereo­scopic 3D film produc­tions in his inaugural speech.

The creative directing duo Alain Gagnol and Jean-Loup Felicioli received the Rhônes Alpes‘ Perso­nality of the Year award for the film "A Cat in Paris". This was the first time that the Rhône-Alpes Region gave this recognition created to highlight the local animation talents.

Organised by CARTOON – European Association of Animation Film since 1999, this was the third conse­cutive year that the event was held in Lyon with the support of the MEDIA Programme of the European Union, CNC (Centre national du cinéma et de l’image animée), the Rhône-Alpes Region, Greater Lyon and in colla­bo­ration with the Cluster Imaginove (Lyon).

CARTOON MOVIE IN NUMBERS

  • 700 parti­ci­pants from 35 countries – up 15% from 2010 – of which 210 were buyers (distri­butors, investors and exhibitors)
  • 56 projects pitched in different production stages: in concept, develo­pment, production or completed.
  • 28 projects targeted to family, 16 to young adults and adults, 12 to children
  • France tops parti­ci­pation (24 projects) followed by Denmark and Spain with five each.
  • Total budget of the projects: 390 million euros (average per film: 7 million).
  • 12 projects of the total produced in stereo­scopic 3D.

About CARTOON
CARTOON – European Association of Animation Film is an inter­na­tional non-profit association based in Brussels that organises Cartoon Movie, together with Cartoon Forum, a co-production forum for animated TV series, Cartoon Master training seminars and Cartoon Connection, a new programme intended to explore ways of reinforcing coope­ration between EU and non EU animation profes­sionals.

Weitere Infor­ma­tionen auf den Seiten von Cartoon (frei zugänglich)